Created on the road in motels and rented rooms, these works are both moving images and still records, all forms of field notation.

What began as daytimes projected into evenings became a practice of looking closely at the landscape, textiles, and inversions of both to develop optical aberrations as to what is in front, or behind the other. Rugs, wallpaper, and bedding- common home textiles- become subject as much as carrier and connective tissue in each work.